Finding Nemo Film Analysis

Finding Nemo Film Analysis  »Ã‚ ¿ Pixar Animation Studios made a large splash at the summer box office on May 30, 2003 with Finding Nemo. Directed by Andrew Stanton and Co-Director Lee Unkrich, Finding Nemo won an Oscar, thirty-four other awards, and thirty-five nominations; also, the film was ranked in the top ten American Film Institutes list of the ten greatest films in the genre Animation in June 2008. With all of the movies accomplishments, how could one not see this joyful movie? This film also stars Albert Brooks, Ellen DeGeneres, and Alexander Gould (Finding Nemo). Finding Nemo is a tale of an adventurous young clownfish, Nemo, who ends up in an aquarium. In search to find his son, Marlin finds Dory, and the two of them encounter adventures and reunite with Nemo. Finding Nemo is a remarkable movie due to the enlightening theme, meticulous and glorious animation, and a well-played cast. The theme of Finding Nemo forms through a father-son love story. Several components of the story help interpret the message of the film. One major element is the concern about Nemos short fin, a deformity that keeps Marlin worried. Stanton states: [Nemos disability is] a metaphor for anything you worry is insufficient or hasnt formed yet in your child (Corliss). Parents become worried about a handicap in their child and think that the disability is a corrupt view of the parent. This movie can teach parents that there is no perfect father or child, like Marlin and Nemo. On Marlins journey, Marlin is set on finding his son when divers take Nemo; on his journey he meets the unforgettable Crush who is the complete opposite of Marlin, relaxed with parenting. Corliss explains, When Marlin asks the sea turtle Crush how a father knows when his kids are ready to swim out on their own, the wise dude replies, Well, you never really know. But when they know, you know- yknow?'(Corliss). Parents c an relate to Crush and Nemos devoted dad that children need to grow up and discover the world. The message of the movie is important for parents; the message is about letting go and getting back. According to Corliss, Nemos fish-out-of-water plot was hatched back in 1992, when he visited Marine World in Vallejo, Calif. His feelings of protectiveness towards his own boy Ben inspired the father-son story (Corliss). By looking at the views of Stanton, readers may see how he and other parents feel about the letting go and getting back policy. Even though parents may find the policy hard to follow, watching this movie can help relieve the hard way of stress by understanding the lesson of the movie. O Sullivan elucidates, [Nemos]father is forced to enlist the aide of a beautiful stranger to decipher the only clue left at the crime scene, even while the pair narrowly averts such threats as a trio of predatory thugs foundering in a 12-step program (O Sullivan). Through all of Marlins comica l, action-packed, and nerve-racking encounters, he learns his lesson after gaining Nemo back, knowing when to hold means knowing when to let go. The spectacular animation is a huge hit in Finding Nemo. The almost impossible underwater animation requires many elements and hard work and Pixar has outdone it. The animation consists of glorious images that represent the ocean in varying degrees of darkness and light, stillness and turbulence, clarity and obscurity, and in ways that high light the myriad colors possessed by underwater life(McCarthy). McCarthy describes the underwater animation with such beauty that how could one resist to see the hard work paid off. In addition, the underwater detail is the product of meticulous effort. Ansen proclaims, High on the movies list of accomplishments is its creation of an undersea wonderland whose opalescent colors and shifting light reflect the enchanted aura of dreamy aquatic photography (Ansen). The movie successfully sustains a watery ambience, which is not an easy thing to do given that water is semitransparent. With an unexpected beauty, Finding Nemo is able to portray decent use of color and form. According to Ebert, Finding Nemo is one of those rare movies where I [want] to sit in the front row and let the images wash out to the edges of my field of vision (Ebert).This animation makes people feel like they are inside the movie. Also, for many people, they could have a second-viewing for the effects. A perfect cast comments the perfect movie. Dory needing an enthusiastic personality was matched with the perfect voice, Ellen DeGeneres. Ansen believes, Ellen DeGeneres, hilarious and poignant, gives a tour de force reading (Ansen). DeGeneres attracts a prodigious crowd to Finding Nemo. According to Holden, Ms. DeGeneres infuses what could have been a one-note role with an irresistible enthusiasm and playfulness (Holden). Without her reading, Dory would not have the same personality. Other characters are also very memorable. Michael O Sullivan observes, Pixars attention to minute details of characterization—lobsters speak with New England accents, seagulls are mindless, yapping clones [fixate] on their next meal—pay off big time (O Sullivan). These voices also bring in the full effect of the characters and movie, making the movie very comical. Finding Nemos fame is an outcome of an unforgettable theme, breathtaking animation, and a comical and perfect-fitting cast. The paradox of love theme can relate to all parents and future parents. Furthermore, the spectacular and detailed animation can warrant for a second viewing and make people feel in a state of reverie. Finally, the cast produces a stunning success. This film is outstanding connecting to each person in the audience. Finding Nemo is a success to Pixar films and one must not resist seeing it! Works Cited Ansen, David. Freeing Nemo: A Whale of a Tale. Newsweek. Newsweek, Inc., 2 June 2003. Web. 12 January 2010. Corliss, Richard. Hook, Line, and Thinker. Time. Time Inc., 19 May 2003. Web. 12 January 2010. Ebert, Roger. Finding Nemo. Rogerebert.com. Rogerebert.com, 30 May 2003. Web. 14 January 2010. Finding Nemo. Internet Movie Database. IMDb.com, Inc. Web. 27 January 2010. Holden, Stephen. Film Review: Vast Sea, Tiny Fish. Big Crisis. The New York Times. The New York Times Company, 30 May 2003. Web. 13 January 2010. McCarthy, Todd. Finding Nemo. Variety. Reed Business Information, 26 May 2003. Web. 12 January 2010. O Sullivan, Michael. Finding Nemo: This Fish Story is a Keeper. The Washington Post. The Washington Post Company, 30 May 2003. Web. 13 January 2010.

Macbeth and Macduff Essay

You have some excellent points, but I think you’re missing an essential part of the question here – compare and contrast. So far you’ve spoken about Macbeth in great detail and neglected the other two. The key here is balance. Say Macbeth is like so†¦. where as Banquo is like so†¦ and Macduff like so†¦ (this is contrasting) When comparing you are going to have to look at how each reacts in certain situations compared to Macbeth. For instance, Banquo reacts to the prophesies of the â€Å"weird sisters† with suspicion, mistrust and a certain level of foreboding whereas Macbeth reacts with elated disbelief, hangs on every word and sees it as the beginning of great things. And from his reaction the things said by the sisters were ambitions that were within him already whereas Banquo had no real ambitions to become father to a line of kings before that. That’s why he says â€Å"Speak to me who neither begs nor fears your favors nor your hate† – or something like that. And use quotes. A good essay always has good quotes woven into it. But don’t go wild with them. Just place one or two here and there to support a point. Also, personally I have never viewed Macduff and Banquo as heroes. They lack the heroic potency of a Shakespearean hero. Shakespearean heroes are dense characters and these two are pretty straightforward. With Shakespeare there’s always more to a hero than meets the eye. So I would say, it is clear beyond doubt that Macbeth is the hero of the play. But the key is – he’s a tragic hero, one who ends up a fallen hero. And aren’t such heroes always the best? Banquo and Macduff would have been boring heroes, clean, cut and straight as they are. They would have been so predictable. Whereas with Macbeth you could never know what he was going to do. In the beginning we are introduced to this good, noble guy who’s fatal flaw is ambition and we hope he won’t go through with Duncan’s murder but he does; we pity him, hope for his redemption even and are shocked by the things that he begins to do after the murder as he grows bolder and bolder.

Commentator on the human condition Essay

Michael Leunig is a commentator on the human condition who uses simple, short cartoons to express his ideas to the public. In The Plotter, he conveys the message that society operates in a created sense of urgency. The idea is that the majority of the people believe that acting too slowly upon seeing an opportunity means there will be no other chances of success later on and thus must move quickly. Another idea that arises in The Plotter is that life is a journey and not a destination. This is all shown using intriguing techniques in his interesting and comical cartoon that captures its viewers. The episode starts out with an individual character walking towards the left slowly followed by the screen. Every step is taken with precision, taking about the same amount of time for each step to land, and this is emphasised by the musical beat of the background. The music is motion-toned as the pitch rises as a hurrying man runs from right to left, passing the individual. As the man runs past he calls out † â€Å", and the individual’s response is † † After this, the pitch is lowered again and the individual continues walking slowly. Only in a matter of seconds, a lady comes running by in the same direction and as she passes she yells † † to which he replies † â€Å". One by one, people run past him trying to condemn and mock the leisurely individual for not conforming, however, the individual remains unhurt by their sayings and repeats pleasant words as an answer to the runners. The technique of dialogue and its setting out is very important. It tells the viewer that the individual thinks in his own ways, not conforming to the society that believes in the created sense of urgency. This individual has his own objective in life and wants to live by experiencing everything slowly while others try to make him keep in touch with the real world hence the call â€Å"you wont know whats happening, you wont be clever. † Visual techniques used by Michael Leunig to deliver his ideas include colour, foreground/backgrounding and body language. The colour of the background is natural, with the sky in blue and the ground in green as grass usually is. This use of natural colour has connotations to the natural instincts of human beings and thus links with the issue that Leunig suggests. The colour of the people running in the background is darker than the individual who stands in the foreground, possibly containing the meaning of evil in the runners, who together represent the majority of the world. The foregrounding of the individual and the backgrounding of the runners signifies the individual over the other people, as if criticising the world in the background and using the individual character to portray the world that should be as it always is with Michael Leunig’s works. The posture and body language of the characters in The Plotter is organised so that the individual is slightly hunched showing the person’s humbleness while the runners are portrayed standing tall and strong showing false confidence. Through these techniques, Michael Leunig illustrates a simple and interesting story with deep meaning,

The Issue Of Breast Cancer - 830 Words

Introduction: Background: The issue of breast cancer affecting many individuals is a growing one. At the present time period it is now found that one in every eight women will be told they have breast cancer (â€Å"National Breast Cancer Foundation†, 2012). Therefore there is a significant amount of research going into this area. In addition, to the large amount of women and smaller amount of men who will be potentially diagnosed with breast cancer has become a global burden because those with metastatic cancer will eventually have cancer cells travel to other parts of their body (â€Å"National Breast Cancer Foundation†, 2012). MCF-7 cells are commonly used to study the mechanism of action and how the tumor works for human breast cancer (Osborn, Trent Hobbs, n.d.). These types of cells are the most common in laboratories for cancer research. According to C. Osborn MCF-7 cells are used because they typically â€Å"demonstrate similar morphology†, however the chromosomal stru ctures can be different. Thus leading to varied results. In addition, Osborn states that MCF-7 cell lines will usually have estrogen receptors, and progesterone receptors. The amounts of estrogen and progesterone receptors can affect the proliferation of the cells. (Osborn, Trent, Hobbs, n.d.). Therefore, the experiment will be using cells taken from a sixty nine year old patient with metastatic cancer. In recent studies, MCF-7 cells have been studied to find what chemical agents cause the cells to proliferateShow MoreRelatedThe Issue Of Breast Cancer1233 Words   |  5 PagesFrame: Issue To hear the word cancer come out of a providers mouth can be one of the scariest times of anyone life. So many questions pop into ones head, what do I have or how did I get it, and what do I do know. 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